Not funny

1 I am reading "In Cold Blood" by Truman Copote. It is exceeding my expectations. 2 The Rhianna and Eminem song about abusive relationships made me cry in my car randomly yesterday. (For the record, I've never been in a physically abusive relationship. It's just a good song.) 3 Borders is great but too many people know it. Too crowded. Too loud. 4 The bruise on my finger has grown astronomically, both in its annoyance and its size. 5 Grad school....having thoughts about it. 6 Self-realizations are not fun, according to me. They're scary mostly. 7 Staring a new blog with Laura. Here's a teaser: It's called "Free Bean." Look out. 8 The most exciting part about not liking my job is knowing I won't be there forever. 9 Can you spell the contraction "will not" as "wont" and "won't"? It seems the apostrophe has become obsolete. 10 If there was a Gilmore convention, I'd go. 11 A dear friend moved to Miami for school. Lucky girl. 12 Elle made me watch "Jersey Shore." I puked. 13 I want to find a decent, quiet place to enjoy a beer and read a book. Suggestions? 14 I can't end on no. 13 becuase I hear it's unlucky.

Well, the venue was neat

The matching little riding hoods were the first things to tip me off: this was going to be an ostentatious show.

There were also some hints in the Walt Disney Concert Hall's lobby, though. Urban Outfitters models in black-framed glasses, unnecessary scarfs, flat ballerina shoes, American Apparel t-shirts, skinny jeans with zippers leading to no where, plaid button-ups, and swooping hair cuts milled passed Theodore and me as we drank our $14 half-bottle of water. The most embarrassing part is that we blended right in.

We found our seats in one of the curves of the building. (This place turned out to be the sexiest structure I have ever seen. If you have a chance, buy tickets for one of the events just to see this building. And before you go, read "The Fountainhead," for good measure. Crazy architecture kind of blows my mind.) Most of the people in the crowd were of the hip kind, ergo in their 20s, ergo showing up 20 minutes late, ergo not knowing how to hold themselves while the L.A. Philharmonic opened for the Dirty Projectors. Eventually everyone learned to watch the conductor's hands for the appropriate moment to applause.

The Philharmonic was obviously marvelous, but truthfully my attention was wandering toward the sexy ceiling and sexy walls. (Really, you have to see this place.) Then, since the seats are circled around the stage, I was able to look at all the hip kids while they enjoyed the music. These are some of the thought bubbles I put over their heads: "Hm, this is cool. I really should come to the symphony more. It would make a great status update." and "Wow, this is boring. But I have to say I like it because if I don't, my friends won't think I'm groovy."

After intermission came the riding hoods: grey, blue, yellow, and red. How cute. How old are those little girls any way? They look 12 to me. The band played an entire album with some of the Philharmonic; it was an album that only sold something like 10 copies. Now, I'm not a music person by any means. I don't get it, and most of the time music just annoys me. But I know what I like and I know what I don't like; and I know what people are supposed to like because it's just too damn cool to stand up in a big concert hall singing about kangaroos while matching your three best buds: "Ooooooo, ahhhhh, oooooo, oh, oh, ahhhh."

The sad thing is that I like the Dirty Projectors. But I have only heard their Bitte Orca album, which is still bizarre. Yes, he sings about Gatorade hittin the spot oh yeah; but those songs have an actual melody that I can follow. When the music stops in the echoing concert hall and the 20 people on stage are trying to clap at the same time in a slow rhythm, and the audience can't stand up to try to get into the music because the seats were hugging the sexy walls, I start to look over at Theodore and nod my head while he imitates a kangaroo dancing to the music--that would have saved the show.

What I like to think about when going to shows is, who are these people that got suckered into doing this on stage? Not the leads. But the backup. Who is this first-string violinist who said, "Sure, I'll play with you guys."

As she is running out the door in the morning she yells up to her husband, "Honey, I'm going to be late tonight. I have a show, then I'm playing with some kids who want to include some of the best musicians in the world to do their backup!"

He peeks his head down, "Was that that crazy rock jiggy you were playing last night?"

"Yes. But at least I'm not the French Horn. Those guys have to blow in bottles."

It's true. Some of the wind instruments picked up glass bottles and blue into them during one of the songs.

"Hey the show is about to start. Can you finish drinking my instrument?"

It really was such a pleasure to watch two grown men bend over to their shared microphone, their back fat showing through nicely chosen shirts for the occasion. That part was worth it.

After this stressful (hour? 2 hours? I don't know) of dissonant chords and overused percussion, Theodore and I bolted out of there. Luckily we waited toward the back to see if we knew any of their songs in their encore. Finally, 2 songs that I've heard of! That part was actually enjoyable, I'll have you know. Dave Longstreth really has a magnificent voice, and is a damned good guitarist. (He's even a lefty: unique.) Those two songs were completely worth that lovely amount of money I don't want to think about right now. We could understand his lyrics and could kind of sing a long to it. People still weren't moving though. The seats were pretty restricting, so watching the band up there was still a bit awkward. At least we walked out of there with a familiar tune in our heads.

I think Theodore summed it up best while we were driving home: "Call me crazy, but people like music they can relate to."

Celine and Me

Although Destiny's Child's "The Writing on

the Wall" was the first cd I bought, "Let's

Talk About Love" was the one I worshipped.

She's so crazy; I love her.

Disclosing this kind of information is probably not the wisest, especially given the certain wideness of this world web. But it was the only thing I could think of to write. (I was going to write about my latest obsession with the show "Ghost Hunters" and how Theodore and I watched it until one in the a.m. on Christmas Eve and how I couldn't sleep after that and swore I heard a thumping that was from anything but a living human being. But I didn't not want to freak myself out again.)

Alas, I will share a secret of mine and you cannot judge me. Here it goes: I have 5 Celine Dion cds, and I know most of the lyrics. There. I said it. If you knew only that about me you'd probably consider me a lonely girl who waits in lines for Celine tickets and makes t-shirts saying "I love you Celine, BECAUSE YOU LOVED ME." But I am not that girl, let me assure you. My affinity for Celine Dion is not my fault.

It all started when I was about 10 years old. A woman from my church happened to be involved in one of Celine's concerts at the Staple Center. Celine, being the compassionate performer that she is, wanted to include a bunch of mindless children during one of her songs. They were to stand in this lame ass semicircle and sing background for the song "Love is on the Way" from her album "Let's Talk About Love." The woman from my church picked the children she thought were the most talented I guess, plus the pastor's daughter because, well, it was just a nice subtle way to give a nod to the big guy upstairs. Most of the girls my age were picked. My best friend, Brittany, was picked. My sister and I, however, did not make the cut.

Elle was disappointed. She wanted to stand in a semicircle with Celine Dion, too! I, however, was devastated. I convinced my mom to buy me the album, then I sat in my room, and memorized "Love is on the Way." What a beautiful song that was. I cried. I was a regular pathetic weepy girl who longed for a little bit of glory, a little bit of bragging rights to my friends from school. Maybe I no longer would be that odd, freakishly skinny girl with the glasses and short boy hair. Maybe I would be, "Hannah, the singer."

But I learned that I was not a singer. I was wonderful at performing the songs, smiling in the right places, clenching my heart when the lyrics were sad. And that was about all I could do. Singing was as foreign to me as doing a pull-up. No one told me, though, so I continued to believe I was great. Even when I auditioned for the 6th grade showcase a couple years later and didn't make it with my rendition of Celine's "Because You Loved Me", I did not think it was because my practicing with a wooden spoon did not pay off. I thought that it was because I was not one of the cool kids or something, or because they really had run out of room like the music teacher said. I even took singing lessons from the woman who was also my piano teacher, and then she encouraged me to stick with piano after I performed Christina Aguilera's "Genie in a Bottle" at my last recital. I thought it was only because piano came a lot easier to me and she thought I would be a real prodigy. Then I thought she told me to stop singing because she was old and couldn't relate to Christina's sexy song.

There is something about singing that is so attractive to a girl. Maybe because when a woman with a beautiful voice stands up to sing, all her physical flaws seem to melt away and people get goose-bumps. When I would be in a crowd at a recital, or in church, or at a competition or something and a girl with a pretty voice sang, people in the audience would whisper to each other, "She's so good. What a lovely girl." I guess I wanted that. (Luckily I found other ways of getting attention, like the drama team, Comedy Sportz team, junk like that. People laughed. And I eventually forgot about singing.) But it did not change the fact that before I got to high school, I had purchased all of Celine's albums from 1993 to 2002 and listened to them constantly. I had no good music mentor. My parents let me listen to Ricky Martin, Destiny's Child, Celine Dion, and the Hansons. What rubbish that was. And what rubbish it is that I still like it.

And that is the story of how I came to own (and like) 5 cherished Celine Dion cds. That is why I stop to sing along when I'm at work and "It's all coming back to me now" or "Misled" come on. I am unashamed.

I really am a sucker for a good pop song every once in a while. Today at work Miley Cirus' "Party in the USA" came on and I had to sing along. Not only because it is such a moving, deep, and powerful song, but because it is the only thing that wakes me up at 4 in the morning on deadline weekend.

Mystics and Graveyards and Beautiful Music

I had such an eventful weekend. Sexual harassment in Long Beach. Worst rendition of A Midsummer Night's Dream at a Tarrot/Palm-reading, spiritual-healing, Wicca and Reiki retail, energy and mystic shop. All-nighter at the Hollywood Forever Cemetery to see Bon Iver at sunrise. Donald Miller talk in Irvine...I like that man.

I could go on about the Shakespeare play, but I won't. Just know that we left at intermission. And that the girls were all a little slutty, and the actress who played Titania seemed kind of drunk.

The Bon Iver concert was the coolest event I've ever been to. We got there at midnight. Hundreds of us spread out blankets with drinks and food and weed smoke wafting over us every ten minutes. Personally, I just ate too many Twizzlers and Carmel Apple Pops. We watched Bottle Rocket, some of Planet Earth, listened to some good random music. Free coffee served all morning. A half hour before the show started Buddhist monks blessed the stage through chanting and offering. Then 6 a.m., Bon Iver played. It was amazing.

You know when you're at an event like this and everyone knows it's the coolest thing but no one wants to say it out loud? While everyone was standing in line, people whispered to their friends "this is so cool." But not too loudly of course, because it's cool to not comment about what's cool. Act like it's the norm.

But the first to say it was Justin Vernon himself:

"Thanks for making this the coolest thing ever."

Bon Iver is one of the only bands that are even better live than on their CD. I knew almost every song but they were all a little bit different than the recorded versions. All a little revamped in some way. It was a great show.